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Clicker-Clack Effect
The firearm counterpart to the Snicker-Snack Effect. Whenever a character is holding a gun and waves it for emphasis, regardless of whether the character actually cocks the gun, or if the gun even has a hammer to cock, it makes a cocking noise.

MATT GRIFFIN


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To the Wonder (R)
This was the last movie review Roger Ebert filed.

by Roger Ebert

Released less than two years after his "The Tree of Life," an epic that began with the dinosaurs and peered into an uncertain future, Terrence Malick's "To the Wonder" is a film that contains only a handful of important characters and a few crucial moments in their lives. Although it uses dialogue, it's dreamy and half-heard, and essentially this could be a silent film — silent, except for its mostly melancholy music.

The Place Beyond the Pines (R)
by Richard Roeper

We begin the movie by following a tattoo-spangled man as he makes his way through a carnival crowd, arriving in a tent containing a few hundred cheering fans and a globe-shaped metal cage. This audacious, extended tracking shot will be familiar to fans of Martin Scorsese (and before that, Orson Welles), and it immediately tells us we are about to experience of film of considerable ambition. You don't even try to make a play like that unless you have confidence in your creative arsenal.

Evil Dead (R)
by Richard Roeper

For some 30 years now, small clusters of movie teenagers have made the journey to various cabins in various woods. The return ratio for such trips is one surviving, bloodied, traumatized, hospitalized teenager for every 10 dead friends left behind. And the ratio of entertaining, original movies about attractive young people and the hideous monsters that stalk them is about the same. For every clever remake or freshly twisted spin, there are innumerable gore fests with nothing original to say.

Trance (R)
by Ignatiy Vishnevetsky

"Trance", Danny Boyle's new thriller, is slick, silly, and frequently very entertaining. Its vibe is twisty and pulpy. Its style is candy-colored visual escapism — every shot hyped up for maximum pop. Viewers who get hung up on story logic — or prefer movies that feature at least one sympathetic character — will spend much of "Trance"'s 101 minutes gritting their teeth.

Upstream Color (Unrated)
by Simon Abrams

A romance, a thriller, and a science-fiction drama, "Upstream Color" tantalizes viewers with an open-ended narrative about overcoming personal loss. It's the long-awaited follow-up to the equally sophisticated 2004 time travel drama "Primer" by American indie wunderkind Shane Carruth, and it's every bit as good. A young couple are connected by a singular, mysterious experience, a form of hypnosis caused by body-snatching maggots that alienates them from everyone around them.

Room 237 (Unrated)
by Jim Emerson

What is "Room 237" really about? On the surface, Rodney Ascher's documentary exhibits the theories a few obsessive fans have put forward to reveal what they think Stanley Kubrick's "The Shining" is really about. According to them, Kubrick stashed "hidden meanings" in the vacancies, hallways, ballrooms, bathrooms, walk-in storage areas and hedge-mazes of the Overlook Hotel in his 1980 horror film.

Jurassic Park 3D (PG-13)
by Nell Minow

Back in 1993, what was astonishing in "Jurassic Park" were the special effects that seemed to bring dinosaurs back to life. Two decades later, rediscovering Steven Spielberg's mastery of cinematic storytelling is the best reason to go see it again.

Simon Killer (Unrated)
by Simon Abrams

"Simon Killer," a maddeningly short-sighted character study about a disturbed young American in Paris, is consistently unsettling, but not always for the right reasons. Writer-director Antonio Campos ("Afterschool") takes great pains to establish his antihero protagonist, Simon (Brady Corbet), as a voyeur with a very limited field of vision. The film's rocky first half hour establishes Simon as a socially awkward, self-involved character with a myopic worldview.

G.I. Joe: Retaliation (PG-13)
by Richard Roeper

Seeing as how "G.I. Joe: Retaliation" is a live-action cartoon, I wish we could have seen thought balloons above the heads of Channing Tatum, Dwayne "The Rock" Johnson and Bruce Willis, among others, as they filmed this ridiculous and overblown debacle.

The Host (PG-13) (3/27) »

Tyler Perry's Temptation (PG-13) (3/27) »

The Place Beyond the Pines (R) (3/27) »

Starbuck (R) (3/27) »

The Sapphires (PG-13) (3/27) »

From Up on Poppy Hill (PG) (3/27) »

Wrong (Unrated) (3/27) »

Gimme the Loot (Unrated) (3/27) »

The Iran Job (Unrated) (3/27) »

Admission (PG-13) (2/20) »

The Croods (PG) (3/20) »

Phil Spector (TV) (3/21) »

Spring Breakers (R) (3/20) »

Olympus Has Fallen (R) (3/20) »

Ginger and Rosa (PG-13) (3/20) »

The Angels Share (Unrated) (3/20) »

Everybody Has a Plan (R) (3/20) »

Gimme the Loot (Unrted) (3/20) »

On the Road (R) (3/20) »

The Door (Unrated) (3/20) »

The Incredible Burt Wonderstone (PG-13) (3/13) »

The Silence (Unrated) (3/13) »

The Call (R) (3/13) »

Bates Motel (Unrated) (3/13) »

Reincarnated (R) (3/13) »

Upside Down (PG-13) (3/13) »

You Ain't Seen Nothin' Yet (Unrated) (3/13) »

The We and the I (Unrated) (3/13) »

Oz the Great and Powerful (PG) (3/6) »

Emperor (PG-13) (3/6) »

Barbara (PG-13) (3/6) »

No (R) (3/6) »

Beyond the Hills (Unrated) (3/6) »

Don't Stop Believing: Everyman's Journey (Unrated) (3/6) »

Our Irish Cousins (Unrated) (3/8) »

The Monk (Unrated) (3/6) »

Yossi (Unrated) (3/6) »

The Condemned (Unrated) (3/6) »

Jack the Giant Slayer (PG-13) (2/27) »

Stoker (R) (2/27) »


 
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Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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